Tag Archives: inception

Music Maketh the Film/Show

The movies and TV shows we watch would be nothing without the music featured in them. Music adds so much to the visual medium, invoking emotions in the audience that would otherwise have been inaccessible to us. I relate so much more to the movie because of the soundtrack and vice versa. Besides, it makes the film and music so much more memorable when you associate the two so quickly. Once, I was sitting in the cafeteria at college with music playing on the speakers in a loop and suddenly the Dark Knight soundtrack starts playing and I nearly jump out of my seat when I recognize where I’d heard it before ( I go insane if I recognize a song and can’t remember it’s name and then get extremely psyched when I do remember).

I adore the Disney soundtracks (particularly Pocahontas and Aladdin) and those of the Harry Potter series. Some of my favourite composers are Hans Zimmer, John Williams, Alan Menken and Alexandre Desplat. I don’t know what if my favourite films would have been as wondeful without them so I thought I’d write about the music that made movies what they are.

Anyway, this post could go on and on if I typed out every single score and OST I loved though so I’ll stick to the ones I’ve recently been listening a lot to.


This is my favourite movie of all time, more so because of Hans Zimmer’s music. I love the booming effect of it and how it gets you so invested in the film. I can easily imagine playing Mombassa on my iPod and getting into the chase scene zone when I’m running late for my early morning classes! I’ve watched the movie enough times to remember which song plays in which scene(s).

Fifty Shades of Grey

This was an atrocious movie but then again, it’s based off an atrociously written book so what can you expect? Well, I didn’t expect a great soundtrack but that’s what we got. The music was the only thing that made the film less painful (more painful than the BDSM the books revolve around) to watch. One of my favourite tracks is One Last Night by Vaults and the Beyonce tracks.



Although it’s not an official OST, the opening and ending themes of this anime are one of the best. Even those who despise the show have to admit that the music is spot on. I can safely say that I love 95% of this anime’s music. Besides, if you’re a fan of the anime, you’ll love these songs even more in how well they go with the show. These are the opening and ending themes I loved:

Screenshot 2015-05-30 09.54.08


8 Reasons why Inception and Interstellar are Cinematic Siblings

*Minor spoilers ahead

Christopher Nolan’s films hold a certain fascination and complexity that many would not be able to conjure in our wildest dreams so to see it on screen is a marvelous feat (although there are those downer cynics who constantly pin point loopholes and inconsistencies as if they could do what Nolan does in a heartbeat. If they want to watch something realistic, I suggest a documentary.) Inception, in my opinion, is a well-devised cinematic masterpiece that lost out on the Oscar for Best Picture merely because it went completely over the Academy’s heads in terms of understanding the complexity and conceptualization. Interstellar was a solid effort to follow it, though if I had to choose the better film it would have to be Inception. Anyway, after watching Interstellar, I couldn’t help but find similarities in the movies which led me to believe that they are indeed sibling-like films.

1. The protagonists are fathers who are trying to get back home to their children. In Inception, Dom Cobb played by Leonardo DiCaprio is framed for his wife’s murder and can’t go home to his children and so he takes up the job offered by Saito who can help him by getting the murder charges dropped.  In Interstellar, Cooper played by Matthew McConaughey wants to go back home to Earth where he left his children in order to go on a mission into space in the effort to save humankind as a species. Incidentally, in both movies, there are two kids-one boy and one girl.

2. Female supporting characters accompany the male protagonist on their missions. Inception has Ariadne played by Ellen Page while Interstellar stars Anne Hathaway as Amelia Brand. Both happen to be Oscar-nominated actresses, by the way.

3. Michael Caine plays a professor who happens to be the father of one of the main characters. In Inception, he plays Mal’s father who is an architecture professor while in Interstellar he is Amelia Brand’s father, working for NASA, attempting to solve an equation that could potentially save mankind. Michael Caine in Interstellar (left) and Inception (right).

4. The distance from reality and exploration into other worlds. In Inception, Cobb and his team go deeper and deeper into the recesses of the psyche in the form of dreams while Cooper and the NASA team go farther and farther away from Earth to explore other planets that could be repopulated by human beings. I also found that there are three levels in Inception just as there are three planets in Interstellar, all seeming like different worlds.

5. Time distortion as a recurrent side effect of venturing into these worlds. While in Inception, the characters have the luxury (although certainly not the safety) of time as they venture deeper and deeper into dream levels, since time slows down, it is the exact opposite in Interstellar, since hours on a new planet are equivalent to  decades back on Earth, with time moving faster.

6. The presence of a purgatory like component from which the male lead escapes from. Cobb escapes from limbo and saves Ariadne from its unpredictability while Cooper ventures into Gargantua, the black hole, just after dropping TARS and Brand from the shuttle.

7. Symbolic circles are explained using a single sheet of paper. In Inception, Cobb explains how we create and perceive simultaneously,  so seamlessly that we are unable to truly distinguish the two, to Ariadne in a cafe. He draws this symbol on a piece of paper while he explains the concept of designing a dream: In Interstellar, Romilly explains who worm holes function, serving as a sort of bridge between galaxies by punching a hole through a folded piece of paper.

8. The culmination of the emotional undertone is in a death bed scene towards the end of the film. Love is proven to be a powerful and inspiring force that drives humanity and this is something that has been building in both films, only culminating in death bed scenes. In Inception, it is of Fisher and his father and in Interstellar it is Cooper and Murph. (Image sources: Google)